土地的咏叹——王国兴黄土主题创作的形、象、意之表达  

Ode to Land:Form,Image and Meaning of Wang Guoxing's Loess-themed Creation

作　　者：董龙昌[1] 孙子涵 Dong Longchang;Sun Zihan(School of Fine Arts,Shandong Normal University)

机构地区：[1]山东师范大学美术学院

出　　处：《美术》2024年第12期152-154,共3页Art Magazine

基　　金：山东省社科规划研究项目《冯友兰美学思想及其当代价值研究》(项目编号:21CZWJ10)的阶段性研究成果;。

摘　　要：黄土主题创作通常被视作王国兴艺术语言探索与个人风格形成的关键阶段,作品展现出当代中国画发展中有别于形式主义的路径选择,其艺术景象蕴含着画家对黄土文化空间的思考,折射出画家在城市文明发展的今天对农业文化非他者化凝视的尊重态度,是以艺术致意乡土人文的咏叹。The creation of loess-themed paintings is usually regarded as a key stage in Wang Guoxing's exploration of artistic language and the development of his own style.His paintings demonstrate a path different from formalism in the development of contemporary Chinese painting.Scenes in his paintings contain his thinking on the cultural space of loess,and demonstrate his respect for the non-othering gaze of agricultural culture in today's urban development.It is an ode to rural culture with art.

关 键 词：王国兴 黄土主题 艺术形式 文化空间 农业文明 

分 类 号：I20[文学—中国文学]