再现的东方传统——MoMA"花园之家"系列展览中的日本展示住宅  

The Oriental Tradition Represented Japanese Exhibition House of"House in the Garden"Series in the Museum of Modern Art

作　　者：尹峥 杨涛[1] YIN Zheng;YANG Tao

机构地区：[1]湖南大学建筑与规划学院,长沙410082

出　　处：《建筑学报》2024年第12期96-102,共7页Architectural Journal

基　　金：国家自然科学基金项目(52078196)。

摘　　要：将1954年的MoMA日本展示住宅置于"花园之家"系列展览中进行分析,指出其主办方及赞助者对社会问题的关注以及外交需求.通过对比日本展示住宅的传统原型及其在现代语境中的"再现",揭示其所体现的日本传统建筑与西方现代建筑之间的异同.在跨文化的视野下,探讨这一"东学西渐"典型案例中东西双方的作用及立场,以及其中的设计价值与历史意义.This paper analyzes the 1954 MoMA Japanese Exhibition House as a whole within the House in the Garden series,pointing out the social concerns and diplomatic demands of the organizer and sponsors behind it.Through a comparative study of the traditional archetype of the Japanese Exhibition House and its"representation"in the modern context,it reveals the similarities and differences between traditional Japanese architecture and modern Western architecture.From a cross-cultural perspective,it explores the roles and positions of East and West in this typical case of oriental in flue nee,as well as the design value and historical significa nee of this project.

关 键 词：日本展示住宅 花园之家 东方传统 现代主义 吉村顺三 书院造 跨文化 

分 类 号：TU2[建筑科学—建筑设计及理论]