戏剧何以能够“线上”:线上戏剧的技术可能性与传播新偏向  

How Can Drama Be“Online”:the Technological Possibilities and New Dissemination Trends of Online Drama

作　　者：丁姝杰[1] Ding Shujie

机构地区：[1]沈阳音乐学院戏剧影视学院

出　　处：《艺术传播研究》2025年第1期128-134,144,共8页Journal of Art Communication

摘　　要：互联网媒介的发展为线上戏剧提供了技术的可能性,为戏剧艺术带来了视听感知和审美体验的新变化。戏剧以线上的方式传播,可以使更多观众走进戏剧艺术的世界,缓解该领域文化资源不平衡的状况。同时,以虚拟空间重构戏剧场域,会形成更广泛的戏剧“场”,以新的方式满足观众的审美需求。但是,线上戏剧的艺术传播方式也显现出一定程度的空间偏向,在让观众享受到科技便利的同时,也引发了审美体验与日常世界的界线模糊的问题,甚至使审美体验受到干扰。互联网特别是手机终端把近百年来人们努力打破的“第四堵墙”重新竖立在观众面前,使观众无法自由、完整地把握审美对象,进而有碍于审美体验的完整生成。面对线上戏剧,我们需要在努力寻求科技助力的同时,把握好媒介技术与艺术审美之间的平衡。The development of Internet media has provided the possibility of technology for online drama,and brought new changes in audio-visual perception and aesthetic experience for dramatic art.The dissemination of drama online can allow more audiences to enter the world of theatrical art and alleviate the imbalance of cultural resources in this field.At the same time,reconstructing the theater field with virtual space will form a broader theater“field”and meet the aesthetic needs of the audience in new ways.However,the artistic dissemination of online drama has also shown a certain degree of spatial bias.While allowing audiences to enjoy technological convenience,it has also caused the problem of blurred boundaries between aesthetic experience and the daily world,and even disrupted aesthetic experience.The Internet and mobile terminals have reerected the“fourth wall”that has been broken for nearly a hundred years in front of the audience,making it impossible for the audience to grasp the aesthetic object freely and completely,thus hindering the complete generation of aesthetic experience.In the face of online drama,we need to strike a balance between media technology and artistic aesthetics while striving to seek technological assistance.

关 键 词：戏剧演出 线上戏剧 观演关系 审美体验 传播偏向 

分 类 号：G206[文化科学—传播学] J805[艺术—戏剧戏曲]