皖西庐剧历史与现状的对比研究  

A Comparative Study on History and Status Quo of Lu Opera in West Anhui

作　　者：黄梅 HUANG Mei(School of Art,West Anhui university,Lu'an 237012,Anhui,China)

机构地区：[1]皖西学院艺术学院,安徽六安237012

出　　处：《合肥大学学报》2024年第6期94-99,共6页Journal of Hefei University

基　　金：安徽省高等学校科学研究重大项目"皖西庐剧大别山精神的时代特征与传承研究"(2023AH040341);安徽省社会科学创新发展研究攻关项目"西路庐剧的时代性认知与呈现的历史变迁和传承研究"(2022CX149)。

摘　　要：皖西庐剧的传承历史主要历经了三个时期,即起源至20世纪40年代末的萌芽成型时期、20世纪50年代初至80年代末的繁荣发展时期、20世纪90年代至今的转型复兴时期。萌芽成型时期的皖西庐剧奠定了庐剧的基础,繁荣发展时期的皖西庐剧走向辉煌,转型复兴时期的皖西庐剧继续承担庐剧传承发展的历史重任。立足皖西庐剧的主要构成要素,分别从剧社与从业人员、剧本形式与内容以及审美群体、传播空间和传播形态等来解读三个时期皖西庐剧的传承与发展,可以看出时代对于地方戏曲传承的巨大影响。The inheritance history of Lu Opera in west Anhui has mainly three periods,namely the em-bryonic and formative period from its birth to the eve of liberation,the prosperous period from the ear-ly days of the founding of China to the late 1980s,and the exploratory and revival period from the 1990s to the present.Its embryonic and formative period laid the foundation for Lu Opera,its prosper-ous period led Lu Opera to its peak,while its exploratory and revival period continued to serve as a pi-oneer in the development of Lu Opera.Based on the main constituent elements,this article interprets the inheritance and development of Lu Opera in west Anhui in three periods from perspectives of class societies and practitioners,script form and content,aesthetic groups,dissemination space and forms.It can be seen that the era has a huge impact on the inheritance of local opera.

关 键 词：皖西庐剧 戏曲班社 民间艺术 

分 类 号：J01[艺术—艺术理论] J254