水意象的生成与《诗经》的审美意蕴  

The generation of water imagery and the aesthetic implications of The Book of Songs

作　　者：高栩萌 姚晓娟 GAO Xu-meng;YAO Xiao-juan(College of Literature,Changchun Normal University,Changchun,130032,China)

机构地区：[1]长春师范大学文学院,长春130032

出　　处：《闽西职业技术学院学报》2024年第4期31-35,59,共6页Journal of Minxi Vocational and Technical College

摘　　要：《诗经》作为中国古代第一部诗歌总集,自古便有许多研究者对《诗经》中的各类形象进行分析和探讨。《诗经》婚恋诗中有大量的水意象,这与年轻男女的爱情婚姻有着密切的联系。水是一切生命的源头,是人类存活、维持生计的重要物质基础,与人类的生活息息相关。然而,《诗经》中的水却并非单纯的物象,而是一种典型的审美符号。水意象的形成与先民对于水的生育繁衍的推崇、古代礼乐制度的关系密切,蕴含着极其丰富的文化底蕴。As the first collection of poems in ancient China,many researchers have analyzed and explored the various images in The Book of Songs since ancient times.There are a large number of“water”images in the marriage poems of The Book of Songs,which are closely related to the love and marriage of young men and women.Water is the source of all life,and it is an important material basis for human survival and livelihood,and it is closely related to human life.However,water in The Book of Songs is not a mere object,but a typical aesthetic symbol.The formation of this image is closely related to the ancestors’reverence for the fertility and reproduction of water and the ancient ritual and music system,and contains a rich cultural connotation.

关 键 词：《诗经》 水意象 爱情 

分 类 号：I207.222[文学—中国文学]