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作 者:陈果 CHEN Guo(College of Literature,Shaanxi Normal University,Xi’an 710119,China)
出 处:《浙江师范大学学报(社会科学版)》2025年第1期45-54,共10页Journal of Zhejiang Normal University(Social Sciences)
基 金:国家社科基金后期资助项目“中日韩诗话的文体史料与文体观念”(19FZWB042)。
摘 要:宋代诗话著述多载关于四六的条目,且常以独立形式出现,这些条目在诗话与四六话研究过程中往往被双重忽视。宋代诗话所载四六条目主要呈现单纯摘句、勾连事件背景以及考释补注三种类型。伴随由论事到论辞的转向,诗话中出现关于骈文作家的评点以及创作技巧的论述,杨万里《诚斋诗话》是其中典型。诗话与四六话从文体批评角度呈现出四六溯源与诗文并举、文章创作层面表现为对偶并提与用典互化的特征,都加深了诗与骈文之间的相互联系。诗文互通不仅使得诗话成为宋代骈文批评的重要文献来源,同时也反映了在宋代文学批评重心逐渐向古文滑移的背景下,诗与骈文批评依然共同保有对辞采与形式之美的重视,这种交互影响也为二者创作水准的提高拓宽了道路。s,explanation of events background and annotation.With the attention shifted from the discussion of stories to that of rhetoric,the comments on parallel prose writers and creative skills appear in Shi Hua.Yang Wanli’s Chengzhai Shihua can be taken as a prominent example.Shi Hua and Si Liu Hua reflect the combination of source of parallel prose and poetry from the perspective of stylistic criticism,and show the use of the antithesis and allusion from the perspective of article creation,which constantly deepens the mutual connection between poetry and prose.The association of poetry and prose not only makes Shi Hua an important source of parallel prose criticism in the Song dynasty,but also suggests that poetry and parallel prose criticism still attach great importance to the beauty of rhetoric and form under the background of the focus of literary criticism shifting gradually to ancient prose.The interactive influence also broadens the way for the improvement of their creative level.
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