中晚明儒将诗中的边塞书写及其新变  

In the Middle and Late Ming Dynasty Confucian Poems,the Writing of Border Jams and Its New Changes

作　　者：赵艺斐 杨万里[1] ZHAO Yifei;YANG Wanli(College of Literature,Shanxi University,Taiyuan 030006,China)

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《忻州师范学院学报》2024年第6期40-46,共7页Journal of Xinzhou Teachers University

摘　　要：明朝自嘉靖后大小战事频繁,边疆危机愈演愈烈,众多文武兼备的儒将由此登上了历史舞台。他们在奔赴国难的同时用诗笔紧扣时代脉搏,真切地书写了边疆见闻与生命体验,承载着丰富的战争记忆。“兵儒合一”的双重身份使这些诗歌在艺术上别具一格,慷慨豪雄、沉郁悲慨之余,又能敛之于浑厚和平,形成了引人注目的诗美范式。中晚明“儒将”边塞诗在继承唐宋“文人”的基础上,于内容、视角、情怀等方面皆呈现出明显的新变色彩。对此进行探究,不仅有助于我们深刻理解中晚明儒将群体的高尚天下情怀与疆域认同意识,也可丰富对明代文学与中国古代边塞诗史的认知。After the reign of Jiajing in the Ming Dynasty,there were frequent wars,and the crisis on the frontier became more and more severe.Many well-rounded military and civilian officials with a background in Confucian studies thus emerged on the historical stage.While they rushed to the national crisis,they also used their poetic pens to grasp the pulse of the times,vividly recording their observa-tions of the frontier and their life experiences,bearing rich memories of war.The dual identity of"soldier-scholar"made these poems unique in artistic style,with a blend of bold and heroic,solemn and sorrowful sentiments,yet able to be contained within a deep and peaceful tone,forming a striking poetic style.The"frontier poetry"of middle and late Ming"scholar-generals"shows new changes in content,perspective,and sentiment compared to Tang and Song"literati"poetry.Exploring this will not only help us deeply understand the lofty patriotic sentiments and territorial identity of the Ming scholar-general group,but also enrich our understanding of Ming litera-ture and the history of Chinese frontier poetry.

关 键 词：中晚明 儒将 边塞诗 新变 军事与文学 

分 类 号：I207.22[文学—中国文学]