黔东南苗族刺绣龙形纹样的造型解析与设计转译研究  

Modeling Analysis and Design Translation of Dragon Pattern of Miao Embroidery in Southeast Guizhou

作　　者：陈志锋 CHEN Zhifeng(Hunan Technology and Business University,410000 Changsha Hunan)

机构地区：[1]湖南工商大学,湖南长沙411100

出　　处：《设计艺术研究》2024年第6期98-106,共9页Design Research

摘　　要：黔东南苗族刺绣龙形纹样是贵州苗族服饰中最具代表性的刺绣纹样,其形态多样,造型特征鲜明,内部结构具有程式化的形式特点。文章通过系统文献资料及刺绣实物的整理和比较,对纹样中的造型元素、构成骨式和色彩配置进行解析,总结出黔东南苗族刺绣龙形纹样具有纹无定式、夸张变形的形态特征;构成骨式以盘旋卷曲的波线形为主;色彩配置呈色层阶梯状分布,其间灵活运用色彩交叉混合的装饰点缀手法。同时,利用元素提取和视觉转译的设计方法对苗族刺绣龙形纹饰进行衍生设计,总结设计转译过程中的设计依据和创作思路,将苗族服饰文化基因融入到文创产品设计中。The dragon embroidery pattern of Miao ethnic group in southeast Guizhou is the most representative embroidery pattern of Miao ethnic group in Guizhou.It has various forms,distinctive modeling features and stylized internal structure.By systematically reviewing literature and comparing embroidery artifacts,this study analyzes the design elements,structural framework,and color configurations of these patterns.It identifies key characteristics,including their amorphous and exaggerated deformation,a structural framework predominantly composed of spiraling and curling wavelike lines,and a color arrangement distributed in gradient layers,complemented by decorative techniques that flexibly blend and mix colors.At the same time,this paper uses the design methods of element extraction and visual translation to carry out the derivative design of Miao embroidery dragon pattern,summarizes the design basis and creative ideas in the process of design translation,and integrates the Miao costume culture gene into the design of cultural and creative products.

关 键 词：苗族刺绣龙形纹样 造型解析 设计转译 

分 类 号：J0[艺术—艺术理论]