德意志民族艺术传统的形成与时代特征  

The Genesis and Zeitgeist of the German Art’s National Traits

作　　者：贺询 HE Xun(School of Arts,Peking University,Beijing 100871)

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《艺术百家》2024年第5期14-22,33,共10页Hundred Schools In Arts

基　　金：2020年度国家社科基金艺术学青年项目“18世纪下半叶德国古典艺术理论和作品研究”(项目编号:20CA162)阶段性成果之一。

摘　　要：德意志民族自诞生以来,在漫长的历史发展过程中形成了独具本地域特色和民族风格的艺术。19世纪以来,数代学者不断尝试为德意志民族艺术的整体框架勾勒形象,得出了丰富的研究结论。回溯德意志民族艺术产生与发展的历史,可以看到其经历了从早期加洛林艺术的形成阶段,到基督教—日耳曼艺术的确立和成熟时期,再到18世纪后从古典、浪漫走向更加多元艺术形态的数个时期。总体而言,德意志民族艺术始终受本土自然观熏染,受基督教文化影响至深,并具有注重情感表现的特征。Since its birth,the German art has formed a unique style with its own regional characteristics and national traits in the long historical development process.From the 19th century to the present,several generations of scholars have continuously tried to outline the overall framework of German national Art,and have come up with rich research conclusions.Looking back at the history of the emergence and development of German national art,one can see the formative stage of early Carolingian art,the period of the establishment and maturity of Christian-Germanic art,and then the several periods after the 18th century when it moved from the classical and romantic to more diverse art forms.To sum up,Germanic national art has always been imbued with a localized view of nature,deeply influenced by Christian culture,and characterized by a focus on emotional expression.

关 键 词：古典艺术 民族性 基督教艺术 德意志 

分 类 号：J0-02[艺术—艺术理论]