仪式展演与民俗传统——山西洪洞县广胜寺水神庙壁画及古戏楼文化意义阐释  

Ritual Performance and Folk Tradition:Interpretation of the Cultural Significance of the Murals and Ancient Opera Houses in the Water Temple of Guangsheng Temple in Hongdong County,Shanxi Province

作　　者：施旭升[1] 范琪 SHI Xu-sheng;FAN Qi(Art Research Institute,Communication University of China,Beijing 100024)

机构地区：[1]中国传媒大学艺术研究院,北京100024

出　　处：《艺术百家》2024年第5期23-33,共11页Hundred Schools In Arts

基　　金：2021年度国家社科基金重大项目“审美意象的历史发展及其理论建构研究”(项目编号:21&ZD067)阶段性成果之一。

摘　　要：山西省洪洞县广胜寺水神庙中的戏曲壁画与庙前广场和古戏楼,一道构成了完整的艺术序列。这不仅是仪式展演的审美化呈现,亦是民俗传统的人本性表达。论文一方面从图像发生的整体环境出发,对戏曲壁画与庙宇内其他壁画、庙前广场、古戏楼进行联动考察,展现借鼓乐歌舞祈祷风调雨顺的仪式性文化基因;另一方面,从戏曲发生的动力因素出发,将图像中的符号表征与中国传统乐文化嬗变中所包孕的娱人向度的审美属性相结合,探究戏曲艺术不断流动生成的民俗性艺术品格。The opera murals in the water temple of Guangsheng Temple in Hongdong County,Shanxi Province,togeth⁃er with the square in front of the temple and the ancient opera house,constitute a complete artistic sequence.This is not only the aestheticized presentation of ritual performance,but also the expression of human nature of folk tradition.On the one hand,starting from the overall environment of the image,the paper investigates the interaction between the opera murals and other murals in the temple,the square in front of the temple,and the ancient opera house,showing the ritual cultural gene of praying for good weather through drum music and song.On the other hand,starting from the dynamic factors of opera,this paper combines the symbolic representation in the image with the aesthetic attribute of entertaining people contained in the evolution of Chinese traditional music culture,and probes into the folk artistic character generated by the continuous flow of opera art.

关 键 词：水神庙 戏曲壁画 古戏楼 仪式展演 民俗传统 

分 类 号：J0-02[艺术—艺术理论]