在碎片中寻求和谐:阿莉·史密斯《迷》中的后现代叙事与块茎式存在  

Finding Harmony in Fragments:Postmodern Narrative and Rhizomatic Existence in Ali Smith's The Accidental

作　　者：张延晏 ZHANG Yanyan(School of Foreign Languages,Yancheng Institute of Technology,Yancheng 224001,China)

机构地区：[1]盐城工学院外国语学院,江苏盐城224001

出　　处：《通化师范学院学报》2025年第1期103-108,共6页Journal of Tonghua Normal University

基　　金：江苏省高校哲学社会科学研究项目(2021SJA1925);盐城工学院教改研究课题项目(YKT2022B058)。

摘　　要：该文探讨阿莉·史密斯小说《迷》中的后现代叙事,聚焦其在时间、空间和身份认同方面的表现。基于德里达的“异延”理论和德勒兹与瓜塔里的块茎结构理论,论文揭示了后现代语境中线性叙事的瓦解与主体定位的迷失。《迷》通过碎片化和非线性叙事打破资本主义时空秩序,琥珀和阿罕布拉等块茎式角色重构了存在的多样性,为主体认同提供了新的表达方式。史密斯在碎片结构中探索和谐,为“他者”赋予发声空间,并为个体生成带来多重可能性,揭示了后现代叙事的当代文学意义。This thesis examines the postmodern narrative features in Ali Smith's novel The Accidental,with a focus on its innovative treatment of time,space and identity.Drawing on Derrida's theory of différance and Deleuze and Guattari's rhizomatic structure theory,the thesis reveals the breakdown of lin-ear narrative and the disorientation of subject positioning in a postmodern context.The Accidental employs fragmented and nonlinear storytelling to disrupt the capitalist spatio-temporal order.Rhizomatic characters like Amber and Alhambra not only redefine the diversity of existence but also offer new expressions of identity.The thesis argues that Smith's narrative seeks a new harmony within fragmented structures,giving voice to the"other"and opening multiple possibilities for individual.Through this study,the thesis high-lights the contemporary literary significance of postmodern narratives.

关 键 词：后现代叙事 块茎理论 解构主义 身份认同 

分 类 号：I106.4[文学—世界文学]