叶浅予漫画创作在中国画影响下的转变——以《天堂记》为例  

The Transformation of Ye Qianyu’s Caricature Creation Under the Influence of Chinese Painting:Taking The Story of Heaven as An Example

作　　者：王媛媛 WANG Yuan-yuan(Department of Art History,Xi’an Academy of Fine Arts,Xi’an,Shaanxi 710065,China)

机构地区：[1]西安美术学院美术史论系,陕西西安710065

出　　处：《河北民族师范学院学报》2025年第1期34-38,共5页Journal Of Hebei Minzu Normal University

基　　金：2022年度国家社科基金艺术学重大项目“百年美术创作中的人民性研究”(22ZD14)。

摘　　要：叶浅予1948年访美归国后为北平的《新民报》创作了漫画组画《天堂记》。《天堂记》相较于叶浅予之前的漫画作品发生了明显的转变:不仅运用速写和漫画相结合的手法,以纪实的形式从新的视角来透视美国社会现象,更是对其先进与繁荣背后的腐朽与匮乏进行了辛辣地讽刺,在当时产生了巨大的社会反响。其转变既体现在表达方式、表现手法、构图方式等技法上,也涉及时代背景下的主题选择。Ye Qianyu created the cartoon series The Story of Heaven for the newspaper Xinmin Daily,after he returned to Beijing from the U.S.in 1948.The Story of Heaven was dramatically different from his previous works.He combined sketching with cartoon,and analyzed America’s social phenomenon from a new perspective based on true incidents.Meanwhile,he bitingly satirized its superficial advancement and prosperity,behind which decay and deficiency were hidden.This cartoon series soon caused a huge stir at that time.Its transformation is reflected in the methods of expression,expression techniques,composition methods and other techniques,but also involves the theme selection under the background of the time.

关 键 词：《天堂记》 叶浅予 漫画 

分 类 号：J0[艺术—艺术理论]