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作 者:张建晓 郑广泽[1] ZHANG Jianxiao;ZHENG Guangze(Qingdao University,Qingdao 266071,China)
机构地区:[1]青岛大学,山东青岛266071
出 处:《西部皮革》2024年第24期101-103,共3页West Leather
摘 要:文章从泰山剪纸的历史渊源、色彩选择、题材种类等多个方面深入探讨了泰山剪纸艺术在服装设计上的创新应用。该研究通过对泰山剪纸艺术中剪纸图案元素的提取、重组等方式创新性地将这些传统剪纸元素融入现代服装设计理念之中,进而剖析泰山剪纸艺术与服装设计之间的融合路径,为现代服装设计增添新的文化内涵与视觉魅力。文章认为将泰山剪纸元素融入服装设计中不仅能够推动非物质文化遗产的传承与创新更能够给现代时尚设计开拓新的创作思路。This article explores,in depth,various aspects of Mount Tai paper-cutting art,such as its historical origins,color choices,and thematic variety,particularly in its innovative application within fashion design.The study creatively incorporates elements of paper-cut patterns from Mount Tai into modern fashion design concepts through methods like extraction and reorganization,analyzing the integration pathways between paper-cutting art and fashion design.This infusion not only enhances the inheritance and innovation of intangible cultural heritage but also opens up new creative perspectives for contemporary fashion design,imbuing it with fresh cultural depth and visual appeal.The article posits that integrating Mount Tai paper-cutting elements into fashion design not only promotes the preservation and innovation of intangible cultural heritage but also paves the way for new creative avenues in modern fashion design.
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