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作 者:李海伟 Li Haiwei(Northeast Normal University)
机构地区:[1]东北师范大学
出 处:《景德镇陶瓷》2024年第5期105-107,共3页Jingdezhen Ceramics
摘 要:宋代黄休复在《益州名画录》一文中对“逸格”进行说明,并且将“逸格”放置于四格之首。之后,历代文论对黄修复提出的绘画品评标准,虽然有过变化,但是始终以其为摹本,只是在内涵上加以拓宽。本文旨在从“逸格”精神中“拙规矩于方圆”^([1])的具体化出发,探究它在中国现当代陶艺中的影响,以及这一精神的外化体现。Song Dynasty Huang repair in the"Yizhou famous painting record"in the"Yi Ge"to explain,and,place the"Yi Ge"at the top of the four grids.Later,although there were some changes in the evaluation standard of paintings proposed by the historical dynasties,they have always been taken as the model and only broadened in connotation.This paper aims to explore the influence of the modern and contemporary Chinese pottery and the embodiment of the spirit from the spirit of"Yi Ge"and the externalization of this spirit.
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