《趁圩》的构思与创作  

The Conception and Creation of"Chen Xu"

作　　者：冯瑶 黄胜 罗瑾 覃福勇 Feng Yao;Huang Sheng;Luo Jin;Qin Fuyong(Jingdezhen Ceramic University)

机构地区：[1]景德镇陶瓷大学

出　　处：《景德镇陶瓷》2024年第5期122-124,共3页Jingdezhen Ceramics

摘　　要：陶瓷雕塑艺术是中国陶瓷文化的重要组成部分,在新时代文化传承和创新的背景下,具有强大的生命力和时代特征。以手工制作为技术支撑的人物陶瓷雕塑创作蕴含着丰富的科学和艺术内涵,主要通过造型和装饰得以表现。作品《趁圩》,充分发挥陶瓷材料的表现力,以泥片成型为主要工艺技法,结合釉下彩和化妆土两种装饰手法,表现了家乡的风土人情以及儿时的童年趣事。Ceramic sculpture art is an important part of Chinese ceramic culture,which has strong vitality and characteristics of the times under the background of cultural inheritance and innovation in the new era.The creation of handmade ceramic sculptures contains rich scientific and artistic connotations,which are mainly expressed through modeling and decoration.The work"Chen Xu"gives full play to the expressiveness of ceramic materials,takes clay chip molding as the main process technique,and combines two decorative techniques:underglaze color and makeup soil,showing the customs of his hometown and the interesting stories of his childhood.

关 键 词：人物陶瓷雕塑 泥片成型 陶瓷装饰 

分 类 号：G63[文化科学—教育学]