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作 者:刘璐 LIU Lu(The Central Academy of Drama,Beijing,100101,China)
机构地区:[1]中央戏剧学院,北京100101
出 处:《文化创新比较研究》2024年第35期1-5,共5页Comparative Study of Cultural Innovation
摘 要:该文以“表演艺术的多维角度探讨”为主题,旨在从社会学与艺术学等角度的交叉视角对表演艺术进行相对系统的分析。首先,该文通过对“什么是表演”的探讨,揭示了表演作为人类实践活动的本质特征及其核心要素。其次,从主体与客体的关系入手,分析表演中表演者与观众、创作者与接受者之间的动态互动及其在审美体验中的意义。再次,深入探讨存在与表演的关系,借助现象学视角揭示表演作为一种存在方式的现实性与虚构性交织的特质。在此基础上,研究了表演的时间性,重点分析瞬时性与延续性对艺术表达和观众体验的影响。最后,审视了表演的社会功能,讨论其在文化传承、社会批判与人类精神建构中的价值和意义。通过这些探讨,该文试图构建一个多维的理论框架,以深化对表演艺术本质与作用的认识。This paper,titled"Exploring the Multidimensional Perspectives of Performing Arts",aims to provide a relatively systematic analysis of performing arts from the interdisciplinary perspectives of sociology and art studies.First,the paper examines the definition of"performance"revealing the essential characteristics and core elements of performance as a human practice.Second,it analyzes the dynamic interactions between performers and audiences,creators and receivers,focusing on their significance in aesthetic experience.Third,the relationship between existence and performance is explored through a phenomenological lens,uncovering the intertwined nature of reality and fiction in performance as a mode of existence.On this basis,the temporality of performance is examined,with an emphasis on how its ephemerality and continuity influence artistic expression and audience experience.Finally,the social functions of performance are scrutinized,highlighting its value and significance in cultural inheritance,social critique,and the construction of human spirit.Through these discussions,the paper seeks to construct a multidimensional theoretical framework to deepen the understanding of the essence and role of performing arts.
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