从马克思“机器论片段”看人工智能时代的文学生产危机  

The Crisis of Literary Production in Marx's“Fragments on Machines”in the Age of Artificial Intelligence

作　　者：李沐春 Li Muchun

机构地区：[1]中国社会科学院大学马克思主义学院

出　　处：《中国社会科学院大学学报》2024年第11期145-158,164,共15页Journal of University of Chinese Academy of Social Sciences

摘　　要：当前,人工智能成为大机器体系最新的技术形态并得到广泛应用,对人类物质生产和精神生产都产生了革命性的影响。尤其是在人工智能被应用于精神生产领域之后,其对作家的主体性和作品的审美性提出了挑战。根据马克思“机器论片段”揭示的生产模式,人工智能在精神生产领域的应用可能引发文学生产的异化劳动,进而导致文学生产丧失创造力和审美性。在人工智能时代,只有持续推动生产关系变革和生产理念更新,才能克服劳动和审美之间的对立,在精神生产过程中实现劳动性和审美性的统一,让文学生产成为人的本质的自由自觉的实现。Currently,artificial intelligence has emerged as the latest technological form of large machine systems and is widely applied across various fields.This development has had revolutionary impacts on both material and spiritual production by humans.In particular,the extensive application of AI technology to literary production poses challenges to the aesthetic qualities of literature and even to human aesthetic capabilities.According to the production model outlined in Marx's“Fragments on Machines”,the use of artificial intelligence systems in spiritual production may lead to alienated labor in literary creation,which could further result in a loss of creativity and aesthetics in literary works.In an era where AI systems are increasingly replacing human mental labor,it is essential to continuously promote changes in production relations and update production concepts.Only then can we overcome the opposition between labor and aesthetics,achieving unity between labor and aesthetics in promoting spiritual production,thereby making literary production a free and conscious realization of human essence.

关 键 词：“机器论片段” 人工智能 文学生产 

分 类 号：I0-05[文学—文学理论]