黄河中上游流域史前彩陶装饰艺术探源  

Research on the Origins of Prehistoric Pottery Decoration Art in the Middle and Upper Reaches of the Yellow River

作　　者：杨敏[1] YANG Min(School of Art and Design,Lanzhou City University,Lanzhou Gansu 730070)

机构地区：[1]兰州城市学院艺术设计学院,甘肃兰州730070

出　　处：《甘肃高师学报》2024年第6期98-104,共7页Journal of Gansu Normal Colleges

基　　金：2024年度兰州市哲学社会科学规划项目“甘肃地区仰韶文化彩陶纹样在文化创意产品中的应用研究”(24-B55)。

摘　　要：从彩陶艺术的起源入手,深入分析了仰韶文化、马家窑文化、齐家文化等不同文化背景下彩陶装饰的特点。在仰韶文化中,半坡类型的彩陶装饰以鱼纹为主,而庙底沟类型的花叶纹成为关键元素。马家窑文化的彩陶装饰以旋涡纹为典型,半山类型的彩陶则出现了逐渐抽象化的神人纹。齐家文化彩陶装饰以几何纹样为主,线条简洁而富有节奏感。通过研究这些彩陶装饰艺术,我们能够更深刻地理解黄河中上游史前社会的文化交流和艺术演进,不仅有助于揭示审美起源和发展的脉络,为现代艺术创作提供灵感源泉,同时也为理解古代社会的生活方式、宗教信仰和审美观念提供了宝贵的资料。Beginning with the origins of painted pottery art,the article conducts an in-depth analysis of the decorative characteristics across different cultural contexts,including the Yangshao,Majiayao,and Qijia cultures.In Yangshao culture,the Banpo-type painted pottery primarily features fish motifs.Similarly,in the Miaodigou type,floral leaf motifs became a central element.The Majiayao culture is marked by spiral patterns as a distinctive feature;in the Banshan type of Majiayao culture,increasingly abstract human and deity motifs began to emerge.As for the Qijia culture,its painted pottery is dominated with geometric patterns,characterized by simple but rhythmic lines.Through the study of these decorative styles,we could gain deeper understanding into the cultural exchanges and artistic evolution of prehistoric societies in the middle and upper Yellow River regions.Researching the decorative art of painted pottery not only helps trace the origins and development of aesthetic traditions,offering a source of inspiration for modern artistic creation,but also provides valuable information for understanding the lifestyle,religious beliefs,and aesthetic concepts of ancient societies.

关 键 词：马家窑文化 彩陶装饰 仰韶文化 齐家文化 漩涡纹 神人纹 

分 类 号：J18[艺术—艺术理论]