超视觉与感知拓展——当代绘画中的光色语言转向  

Super-vision and Perception Expansion:The Shift of Light and Color Language in Contemporary Painting

作　　者：黄江孜 Huang Jiangzi(Hu'nan Normal University)

机构地区：[1]湖南师范大学

出　　处：《美术》2025年第1期145-147,共3页Art Magazine

摘　　要：在当代绘画中,视觉转向促使光色语言从传统再现向强调视觉环境感知下的光色关系转变,展现出超视觉与感知拓展特性。超视觉源于梅洛·庞蒂理论,指从可见物中洞察不可见内容,涉及精神层面对语言限制的超越。艺术家自觉能动地探索光色语言带来的超视觉性,而光色技术的跨学科融合使光色语言在形式与观念层面拓展了审美感知的范围。光色语言的转向使艺术作品成为一种更加活跃、动态和参与性的视觉文化实践,理解光色语言的转向对创作当代绘画具有重要价值与启示。In contemporary painting,the shift of vision has promoted the light and color language to change from traditional recreation to the light and color relationship that emphasizes the perception of visual environment,which demonstrates the characteristics of super-vision and perception expansion.Super-vision originates from Merleau-Ponty's theory of discovering invisible content from visible objects,which involves the transcendence of language limitations at the spiritual level.Artists actively explore the super-vision brought by the light and color language,whereas the interdisciplinary integration of light and color technology expands the aesthetic perception of light and color language in form and concept.The shift of light and color language makes artworks a more active,dynamic and participatory visual culture practice.Therefore,understanding such a shift is of great importance and can inspire the creation of contemporary paintings.

关 键 词：光色语言 视觉转向 超视觉 审美感知 

分 类 号：J205[艺术—美术]