数字技术在博物馆书画展览中的应用——以辽宁省博物馆“丹青万象——齐白石和他的师友弟子们”展为例  

Application of Digital Technologies in Exhibitions of Calligraphy and Painting:Splendid and Rich Traditional Chinese Painting:Qi Baishi and His Masters,Friends and Disciples as an Example

作　　者：么乃亮 何婧彤 Yao Nailiang;He Jingtong

机构地区：[1]辽宁大学考古文博学院,沈阳110036

出　　处：《博物馆管理》2024年第6期64-76,共13页Museum Management

基　　金：辽宁省公共文化服务中心研究课题“元宇宙视域下的博物馆文化传播研究”(项目批准号:2023zxyjkt-004)阶段性研究成果。

摘　　要：随着科技的不断进步,数字技术已广泛应用于博物馆展览展示等领域。书画展览是博物馆重要的展览类型,但传统展示手段局限性较大,需借助数字技术弥补不足。辽宁省博物馆主办的“丹青万象——齐白石和他的师友弟子们”展充分运用数字技术,使书画展览在多元化策展思路下呈现出崭新面貌。本文探讨了该展览对数字技术的具体应用,认为数字技术可以为观众提供更丰富的艺术互动体验,体现了艺术与科技的融合。同时,在运用数字技术时,应注意以技术应用为目的,以观众需求为导向,与展览主题及环境相契合,确保设备稳定性与高效性。With ongoing technological innovations,digital methods have been widely applied in museum exhibitions.In the realm of calligraphy and painting exhibitions—a significant museum offeringwhere conventional displaying techniques face limitations,digital technologies can be introduced to offer solutions.The exhibition Splendid and Rich Traditional Chinese Painting:Qi Baishi and His Masters,Friends and Disciples,hosted by the Liaoning Provincial Museum,leverages digital innovations to revitalize the exhibition with a dynamic curatorial vision.This paper explores how digital tools are employed in this exhibition and argues that they can provide visitors with various interactive art experience,integrating art and technologies.At the same time,the paper highlights the following key issues that require special attention:the purposes of the digital method,visitors'needs,consistency with exhibition theme and circumstance,and the stability and efficiency of equipment.

关 键 词：博物馆 数字技术 书画展览 齐白石 辽宁省博物馆 

分 类 号：G26[历史地理—考古学及博物馆学]