重庆非遗舞蹈的身体性研究  

A Study on the Physicality of Chongqing’s Non-Heritage Dance

作　　者：傅兰媚 Fu Lanmei(School of Music,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学音乐学院,重庆401331

出　　处：《重庆师范大学学报(社会科学版)》2024年第6期102-111,共10页Journal of Chongqing Normal University(Edition of Social Sciences)

基　　金：重庆市社会科学规划“研究阐释市委六届三次全会精神”一般项目“新时代重庆优秀传统舞蹈文化的保护与发展研究”(2023YBCS06)。

摘　　要：重庆非遗舞蹈是重要的区域文化类型,在当下的非遗舞蹈创造性转化中,“能指”所代表的审美形式获得大众的广泛关注,“所指”所代表的身体意义却在迅速消失。因此,需要回归到非遗语境进行“身体性”溯源。身体是非遗舞蹈的重要支点与原点,是以身体的载体性、主体性、交互性、继承性通往身体哲学的文化遗产。本文从哲学元问题出发探讨身体的具身性;从地域性象征、标识性象征、风格性象征三个层级的身体符号出发,剖析非遗身体的本体性、现象性与技艺性;从非遗舞蹈人类学影像制作与数字交互舞蹈创作出发,讨论数智时代重庆非遗舞蹈创造性转化,以此厘清数字革新中重庆非遗舞蹈的本体价值与未来实践。The Intangible Cultural Heritage(ICH)dances of Chongqing is an important regional cultural image.In the current creative transformation of ICH dance,the aesthetic forms represented by the“signifier”have gar-nered widespread public attention.However,the meaning of the body’s“signified”in ICH dance is rapidly dis-appearing.Therefore,it is necessary to return to the“corporeality”of the ICH context.The body is a crucial support and origin of ICH dance,embodying carrier properties,subjectivity,interactivity,and inheritance,leading to the cultural heritage of body philosophy.This paper starts from the representation and symbols of the body,exploring the interactive relationship between the body and ICH dance.The sensations,phenomena,and concepts formed in this interaction constitute three levels of body symbols:regional symbolism,iconic symbol-ism,and stylistic symbolism.Finally,through considerations from the dimensions of lens,vision,and the inter-net,the paper examines the corporeality of Chongqing ICH dance in the digital age,aiming to provide some in-sights for the creative transformation and high-quality development of Chongqing ICH dance.

关 键 词：非遗舞蹈 身体性 在场 符号 数字身体 

分 类 号：J711[艺术—舞蹈]