从印象派看塞尚艺术观念的嬗变  

The Evolution of C zanne’s Artistic Concept from the Perspective of Impressionism

作　　者：曾鹏 ZENG Peng(School of Tourism Management,Chaohu University,Chaohu 238024,China)

机构地区：[1]巢湖学院旅游管理学院,安徽巢湖238024

出　　处：《黄山学院学报》2024年第6期109-112,共4页Journal of Huangshan University

基　　金：巢湖学院教研项目(ch21jxyj22)。

摘　　要：塞尚早年受库尔贝现实主义绘画的影响追求现实物象的描绘,在巴黎学习绘画时结识了毕沙罗,深受其影响开始加入印象派阵营,在自然写生中改变了以往的用色习惯,并学会了接近自然真实的新途径。他致力追求探索物体本质和结构之间的关系,与印象派再现自然的观念不同而选择离开,尝试通过画面的形式构建探索物体内在的结构,在描绘对象的色彩造型、几何元素塑造、图画混沌、视角的多样性方面的处理上,开启了探索自然本质与永恒真实的艺术研究,注重表现物象的坚实感和画面的深度,致力于用画笔诠释真实自然,成为后印象派画家中的代表人物。Cézanne was influenced by Courbet’s realism in his early years and pursued the depiction of real objects.While studying painting in Paris,he met Pissarro and was deeply influenced by him,joining the Impressionist camp and changing his previous coloring habits in nature sketches,and learned new ways to approach the true nature of the world.However,he was committed to exploring the relationships between the essence and structure of objects,choosing to leave the Impressionist camp due to differences in their views on reproducing nature.He embarked on an exploration of the internal structure of objects through the form of the painting,opening up an artistic study of exploring the essence and eternal truth of nature on his handling of color modeling,geometric element shaping,pictorial chaos,and the diversity of perspectives in depicting subjects.He focused on expressing the solidity of objects and the depth of the picture plane,striving to interpret the true nature of nature with his brush and becoming a representative figure of the Post-Impressionist painters.

关 键 词：塞尚 印象派 真实自然 形式构建 

分 类 号：J205[艺术—美术]