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作 者:陈玉强[1] 王炜 CHEN Yu-qiang;WANG Wei(School of Literature,Hebei University,Baoding,Hebei,071002;School of Arts,Hebei University,Baoding,Hebei,071002)
机构地区:[1]河北大学文学院,河北保定071002 [2]河北大学艺术学院,河北保定071002
出 处:《深圳大学学报(人文社会科学版)》2025年第1期152-160,共9页Journal of Shenzhen University:Humanities & Social Sciences
基 金:国家社会科学基金重点项目“中国古代文论避忌术语研究”(24AZW005)。
摘 要:黄庭坚的经学思想对其文艺观念的生成有根本性影响,原因在于他以经学为本根、文艺为枝叶,二者在思维模式、理论体系上形成同源同构关系。黄庭坚在论述“更须治经,探其渊源”之后,提出文学上的“点铁成金”命题,契合他尊经变古的经学主张。黄庭坚的经学思想涉及物理之学、义理之学、性命之学,分别与其文艺观物创作论、观韵鉴赏论、主体修养论存在关联。学界关注较多的黄庭坚诗学情性本质论、兴寄功能论,也受到他的性命之学的深刻影响。探讨黄庭坚文艺观念的经学渊源,有助于我们认识其文艺观念的深层结构及潜在体系。黄庭坚在物理之学视野下形成的文艺观物创作论强调实践来源,这是他强调知识来源的“词意高胜,要从学问中来”“点铁成金”等命题的有力补充。黄庭坚的文艺观念之所以具有理论吸引力,其直契北宋经学思潮及体系的经学渊源当是重要原因。对黄庭坚的个案考察,印证了归于集部之学的文艺观念与作为中国传统学术根基的经学之间实有难以割断的血脉联系。Huang Tingjian’s thought in the study of Confucian classics has fundamental influences on the generation of his literary and artistic ideas,because he takes the study of Confucian classics as the root and literature as the branch,forming a homologous and isomorphic relationship in their thinking patterns and theoretical systems.After discussing the importance of studying Confucian classics and deepening their origins,Huang Tingjian proposed the literary proposition of“turning iron into gold”,which is in line with his Confucian philosophy of respecting classics and transforming ancient interpretations.Huang Tingjian’s Confucianism involves the study of physics,principles,and life,which are respectively related to his theories of literary and artistic creation,aesthetic appreciation,and subject cultivation.Huang Tingjian’s theory of the essence of poetic emotions and the function of inspiration,which have received much attention in the academic community,have also been deeply influenced by his study of life.Exploring the origin of Huang Tingjian’s literary and artistic ideas from the study of Confucian classics can help us understand the deep structure and potential system of his literary and artistic ideas.Huang Tingjian’s theory of literary and artistic creation,formed from the perspective of physics,emphasizes the source of practice,which is a powerful supplement to his propositions such as“the high meaning of words should come from knowledge”and“turning iron into gold”that emphasize the source of knowledge.The reason why Huang Tingjian’s literary and artistic ideas have theoretical appeal is due to their direct connection to the study of Confucian classics in the Northern Song Dynasty.The case study of Huang Tingjian confirms the inseparable connection between literary and artistic ideas as the study of the collection(集部)and the study of Confucian classics as the foundation of traditional Chinese scholarship.
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