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作 者:于洋[1,2,3] Yu Yang
机构地区:[1]中央美术学院 [2]中央美术学院科研处 [3]中国美术家协会
出 处:《美术观察》2025年第1期19-22,共4页Art Observation
摘 要:作为美术学院的学科根基,造型艺术自诞生之时起,一直在人类自我认知与视觉审美领域发挥着重要作用,同时也在图像时代与人工智能技术冲击下,面临着前所未有的危机与窘境。本文从艺术史与艺术哲学视角观照阐析造型艺术的概念范畴,通过揭示造型艺术的本体属性与文化本质,结合当下美术院校“纯艺术”学科的发展形势,提出学科边界和外延的拓展,与造型艺术基础的本体深掘,已成为造型艺术学科发展中互为促动的一体两面,纵深方向的“提纯”与横向延展的“拓新”如同两个不同方向的合力,共同决定着造型艺术的未来走向。As the foundation of art academies,the plastic arts have been playing an important role in human self-cognition and visual aesthetics since its birth,but at the same time,under the impact of the image era and artificial intelligence technology,they are facing unprecedented crises and dilemmas.This paper analyzes the conceptual scope of plastic arts from the perspectives of art history and art philosophy,by revealing the ontological attributes and cultural essence of plastic arts,and combining them with the development of the“pure art”discipline in art colleges and universities,the paper proposes that the expansion of the discipline's boundaries and outreach and the in-depth exploration of the foundation of plastic arts have become two sides of the same coin in the development of the discipline of plastic arts.The“purification”in the vertical direction and the“renewal”in the horizontal extension are like the synergy of two different directions,which together determine the future direction of the plastic arts.
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