重提“造型”——关于具象绘画创作的几点思考  

Revisiting“Modeling”——A Few Thoughts on the Creation of Figurative Painting

作　　者：封治国[1,2] Feng Zhiguo

机构地区：[1]中国美术学院 [2]中国美术学院油画系

出　　处：《美术观察》2025年第1期27-31,共5页Art Observation

摘　　要：造型问题是美术史的核心问题,造型活动亦是艺术家的创造性活动。中国当代具象绘画的一个突出问题即“造型”异化为“照形”。本文试图以艺术史为线索进行探讨,从古典艺术到现代艺术,其间所隐藏的造型观念是一以贯之的,两者之间并不存在天然的鸿沟。艺术家造型活动的全部内容,都是在客体—艺术史—主体三者之间展开。当具象绘画不再与观看发生联系,而是直接复制图像,造型的扁平化、浅薄化、图像化也就在所难免。The issue of modeling is the core issue of art history,and modeling is also the creative activity of artists.One of the prominent problems of contemporary figurative painting in China is the alienation of“modeling”into“photographing”.This paper attempts to explore the art history as a clue,from classical art to modern art,the hidden concept of modeling is consistent,and there is no natural gap between the two.The entire content of the artist’s modeling activity is unfolded between the object--art history--subject.When figurative painting is no longer associated with seeing,but rather directly reproduces the image,the flattening of modeling,its shallowness,and its pictorialization are inevitable.

关 键 词：造型 造型观念 具象绘画 图像 

分 类 号：J204[艺术—美术]