20世纪80年代从“样式”到“类型”的知识考古与跨语际实践  

The Conceptual Evolution from"Style"to"Genre":Knowledge Archaeology and Translingual Practice of Film Concepts inthe1980s

作　　者：周传艺 Zhou Chuanyi

机构地区：[1]山东师范大学新闻与传媒学院 [2]山东省广播电视局 [3]北京师范大学

出　　处：《电影艺术》2025年第1期153-160,共8页Film Art

基　　金：国家社科基金艺术学青年项目“中国影像艺术物质载体变迁史研究(1905—2024)”(项目编号:24CC200)阶段性研究成果。

摘　　要：“样式”与“类型”先后代表了我国不同时期的电影观念传统,并在20世纪80年代的语境中发生了交合与碰撞。通过借鉴福柯“知识考古学”的研究路径,对两个概念的出现及其承载的不同话语进行回溯,不仅能够厘清概念之间的行进轨迹,反思跨语际实践中出现的语言接受差异、“主—客”体语言的冲突与改造等深刻议题,而且可以介入“新—旧”电影观念之间出现的裂隙、重合等多重语义空间,与改革开放后的体制、启蒙、知识结构等深层话语相关联。The concepts of"style"and"genre"represent traditional film theories from different periods in China,intersecting and colliding in the context of the 1980s.By employing Michel Foucault's knowledge archaeology as a research framework,this study traces the emergence of these two concepts and the distinct discourses they encompass.This approach not only clarifies the connections between concepts but also reflects on significant issues such as language acceptance,conflicts,and transformations between source and target languages in translingual practice.Furthermore,it explores the semantic spaces created by the cracks and overlaps between past and present film concepts,linking these discussions to broader themes such as system,enlightenment,and knowledge structures following the reform and opening up.

关 键 词：样式 类型 话语 跨语际 转型 

分 类 号：J905[艺术—电影电视艺术]