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作 者:卢玥 LU Yue(School of International Chinese Education,Beijing Normal University,Beijing 100875,China)
机构地区:[1]北京师范大学国际中文教育学院,北京100875
出 处:《河南科技学院学报(社会科学版)》2025年第1期59-67,共9页Journal of Henan Institute of Science and Technology
基 金:教育部中外语言合作交流中心创新项目“基于汉语国际教育专业博士中华文化传播能力培养的课群开发研究”(21YH012CX6),主持人:李春雨;北京师范大学中央高校基本科研业务费领军人才培育项目“国际中文分级阅读研究及资源库建设”,主持人:李春雨。
摘 要:老舍在小说《骆驼祥子》中对常规语言进行变异,从而实现了文学语言的陌生化。研究从声响形态变异的角度,结合变异修辞学理论,对小说中摹音层面与谐音层面的语言变异现象进行定量与定性分析,发现摹音变异在文本中占据主要地位。通过进一步探讨声响形态变异在塑造人物性格、渲染环境氛围以及表现事物特质方面的修辞效用,阐明了老舍对传统京味曲艺的深刻吸纳及其独特的文学语言观念。研究表明,《骆驼祥子》的声响形态变异利用语言符号能指与所指之间的有机联系,实现了文学语言的陌生化表达,这不仅拓展了《骆驼祥子》语言艺术研究的视野,深化了对声响形态变异作为修辞现象的理解,还对解析老舍文学语言风格及其文学创作的时代价值具有重要意义。In his novel Camel Xiangzi,Lao She introduced variations to conventional language,thus realizing the defamiliarization of literary language.Based on the theory of variation rhetoric,this paper makes a quantitative and qualitative analysis of the onomatopoeic and homophonic variations in the novel,and finds that onomatopoeic variation plays an important role in the text.This paper further discusses the rhetorical effect of morphological variation of the sound in shaping character,rendering environment and expressing the characteristics of things,and expounds Lao She’s deep absorption of traditional Beijing folk art and his unique literary language concept.The research shows that the morphological variation of the sound in Camel Xiangzi realizes the defamiliarization of literary language by using the organic connection between the language signs“signifier”and“signified”,which not only expands the vision of the study of language art in Camel Xiangzi,but also deepens the understanding of the morphological variation of the sound as a rhetorical phenomenon.It is also offers significant insights into Lao She’s literary style and the historical value of his creative works.
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