书法疾涩之抉微  

Calligraphy with Swiftness and Solemnity Decided with Micro-Cognition

作　　者：潘池勇[1] PAN Chiyong(School of Fine Artsand Design,Chaohu University,Chaohu 238024,Anhui,China)

机构地区：[1]巢湖学院美术与设计学院,安徽巢湖238024

出　　处：《安康学院学报》2025年第1期68-72,共5页Journal of Ankang University

基　　金：安徽省高校产学研项目“书法作品创作”(hxkt20230295)。

摘　　要：疾涩既是书法技法术语又属艺术审美范畴。无论是疾还是涩,都是对力、势、气三者运动变化感悟和认知的结果。疾势涩笔和涩中见疾本质上就是阴阳合和之道。在书法用笔及作品鉴赏中都有意或无意地关联到疾涩。疾涩度的不均衡产生了书法风格的差异。实践上,疾涩变化受到书写工具、字体、情感等多方面的影响。疾富有畅逸之美,涩富有金石之趣。但疾易漂浮而失之于浅,涩易滞塞而失之于伤。疾涩结合可克服单独使用疾或涩所出现的弊病,所以疾涩呈现出多义性的特征。优秀的书法家对疾与涩有非常娴熟的驾驭能力。总之,疾涩是表现出较好书法艺术效果的核心方法。Jise is not only a term in calligraphy techniques but also a category of artistic aesthetics. Whether it is illness or astringency,it is the result of the perception and cognition of the movement and changes of force, momentum, and qi. The essence of illness lies in the harmony between yin and yang, as evidenced by the astringency of the writing style and the presence of illness in the middle. Consciously or unconsciously associated with illness in the transmission of calligraphy brushes and the appreciation of works. The imbalance of illness and astringency has resulted in significant differences in calligraphy styles. In practice, the changes in illness and astringency are influenced by various factors such as writing tools, calligraphy style, and emotions. Illness is rich in the beauty of ease, and astringency is imbued with the taste of gold and stone. But diseases are easy to float and lose in the shallow, and astringency is easy to stagnate and lose in the injury. The combination of illness and astringency can overcome the drawbacks of using illness or astringency alone, so illness and astringency exhibit a characteristic of polysemy. Excellent calligraphers have a very proficient ability to handle illness and astringency. In short, astringency is a core method for expressing good calligraphy artistic effects.

关 键 词：笔法 墨法 疾势 涩势 金石气 线条形质 

分 类 号：J292[艺术—美术]