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作 者:张一玮[1] ZHANG Yiwei(School of Humanity,Chinese Communication University,Beijing,100024,China)
出 处:《城市学刊》2024年第6期96-102,共7页Journal of Urban Studies
基 金:北京市社会科学基金一般项目(19YTB024)。
摘 要:顾颉刚于1954年后撰写的私人日记,记录了其在北京工作和生活过程中观赏电影的不同空间。红星电影院是一间具有特殊历史的电影院,也是其日记中多次提及并记录下所观看电影记录最多的影院之一。顾颉刚日记中的观影史料凸显了“十七年”时期北京城市电影院作为文艺空间和文化规训空间的双重特征。红星电影院的放映活动深刻影响了观影者的个体感知方式、文化认同和生活方式,是特定时代对电影评价标准的现实表达。Gu Jiegang's diary,written after 1954,recorded the different spaces where he watched movies during his work and life in Beijing.As a cinema with a special history,Red Star Cinema is one of the cinemas mentioned and recorded many times in his diary.The historical records of film-viewing in Gu Jiegang's diary highlight the dual characteristics of Beijing's urban cinemas as both literary and cultural spaces during the"Seventeen Years"period.The screening activities of Red Star Cinema have profoundly influenced individual perception,cultural identity,life style,and formed a realistic expression of film evaluation standards for a specific era.
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