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作 者:万剑[1] 姚炬炜 张杰 WAN Jian;YAO Juwei;ZHANG Jie(Silk Road Art Research Center,Ningbo Polytechnic Institute,Ningbo 315800,Zhejiang,China;Department of Art Design,Ningbo University of Finance and Economics,Ningbo 315175,Zhejiang,China)
机构地区:[1]宁波职业技术学院丝路艺术研究中心,浙江宁波315800 [2]宁波财经学院艺术设计学院,浙江宁波315175
出 处:《中国陶瓷工业》2025年第1期72-79,共8页China Ceramic Industry
基 金:2022年度教育部人文社会科学研究规划基金项目《中国越窑青瓷艺术海外传播交流路径与影响力研究》(22YJA760078);2022年度浙江省哲学社会科学规划年度课题《浙江越窑青瓷海外艺术交流研究》(22NDJC317YBM);2021年度教育部人文社会科学研究规划基金项目“中国道路”百年历史流变的图像学研究(1919-2019)(21YJA710054)。
摘 要:瓷器是中国物质文明的标志之一,是“第一个全球化商品”。作为中华文化在世界范围内广泛传播的鲜明例证,瓷器凭借深厚的文化内涵与卓越的艺术成就,不仅在东亚、东南亚儒家文化圈中得到广泛传播,而且与伊斯兰、波斯等国家的装饰图像彼此融合,深刻影响了欧洲的社会文化及审美观念。海上“陶瓷之路”与“一带一路”共同蕴涵着中华文化一脉相承的文化基因。在当今新型全球化的历程中,为世界创造出新时代“真”“善”“美”的高度物质文明是跨文化传播中华文化的重要途径。从跨文化传播的理论视阈来看,货物贸易的全球化与文化的全球化是相辅相成的,任何器物贸易的背后既是文化的接受、文化的认同以及国家的认同,也是国家形象的建构。Chinese porcelain is the representative of material civilization,and it is the"First global commodity".As a vivid exam-ple of the widespread dissemination of Chinese culture globally,with its profound cultural connotations and exceptional artistic achievements,porcelain has not only been widely spread in the Confucian cultural sphere of East and Southeast Asia but also mutually integrates with Persian and European decorative image and exerts a major influence on European society,culture and its aesthetic ideas.The marine"Ceramic road"and"Belt and Road Road"together nurture the cultural genes of Chinese culture which runs in a continuous line.In the evolution of new globalization,the creation of high-level material civilization with"Truth""Goodness"and"Beauty"for the world is an important approach in cross-cultural transmission of Chinese culture.From the perspective of cross-cultural transmission theory,the globalization of trade in goods and culture mutually complement each other.Any trade in goods is literally an acceptance of source culture,cultural identity and national identity.It is also the construc-tion of the national image.
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