理性幻像:勒克《建筑图稿》的自主性讨论  

Rational Fantasies:A Discussion of the Autonomy on the Architecture civile of Jean-Jacques Lequeu

作　　者：刘楠 LIU Nan

机构地区：[1]浙江农林大学风景园林与建筑学院

出　　处：《建筑史学刊》2024年第4期89-100,共12页Journal of Architectural History

摘　　要：在对启蒙时代自主性建筑的考察中,考夫曼将勒克与勒杜、布雷并列为现代主义建筑先驱,在其绘图中还可识别出建筑集仿主义及后现代主义的一种根源。作为技术与观念表征的建筑绘图成为建筑史研究重要的图像语料。本文以勒克《建筑图稿》为分析与讨论对象,回顾勒克建筑的解读与阐释,结合启蒙时期建筑绘图、大革命前后的建筑和园林汇编及文化出版物,探讨作品的自主性意涵。In his perceptive investigation into the realm of“autonomous architecture”during the Age of Enlightenment,Emil Kaufmann acknowledges Jean-Jacques Lequeu as a visionary pioneer in architectural modernism,alongsideÉtienne-Louis Boullée and Claude-Nicolas Ledoux.Lequeu’s architectural drawings prefigure the eclectic trends of the 19th century and subtly allude to postmodernist ideals as indispensable technical and conceptual blueprints for architectural historians.The paper examines the notion of autonomy within the Architecture civile,employing Lequeu’s seminal work as its focal point.It scrutinizes various explanations and interpretations of Lequeu’s creations,it takes into consideration the architectural drawings of the Age of Enlightenment,drawings and comprehensive compilations on architecture,landscape gardening,as well as cultural artifacts that flourished both before and after the Revolution to discuss the nuances of autonomy of works in the Architecture civile.

关 键 词：勒克 建筑图稿 自主性 启蒙时代 理性幻像 

分 类 号：TU-091[建筑科学—建筑理论]