中国底层“翻身”意识觉醒的诗学互动——从《阿Q正传》到《太阳照在桑干河上》  

Poetic Interaction of the Awakening of the Consciousness of Turning Over of the Chinese Lower Classes:From The True Story of Ah Q to The Sun Shines on the Sanggan River

作　　者：赵全伟 ZHAO Quanwei(School of Humanities,Shenzhen University,Shenzhen 518000,China)

机构地区：[1]深圳大学人文学院,广东深圳518000

出　　处：《湖南工业大学学报(社会科学版)》2025年第1期103-110,118,共9页Journal of Hunan University of Technology(Social Science Edition)

摘　　要：鲁迅的《阿Q正传》揭露了旧势力对底层民众的精神束缚,丁玲的《太阳照在桑干河上》则全景式展现了底层民众“翻身”意识的觉醒过程。其以土地革命对旧观念、旧道德的冲刷,作为实现底层民众“翻身”的动力之源;以作品中人物形象“复杂性”与“典型性”的统一,表征底层民众“翻身”意识觉醒的诗学方法论。由阿Q而黑妮、侯忠全等,《太阳照在桑干河上》揭示了底层民众“翻身”意识觉醒的必然性与实然性,回答了底层民众“怕”的终结问题,其与《阿Q正传》构成一种具有内在美学张力的诗学互动。Lu Xun’s The True Story of Ah Q exposes the spiritual bondage of the old feudal forces on the lower class,while Ding Ling’s The Sun Shines on the Sanggan River presents a panoramic view of the awakening of the consciousness of the lower class to turn over a new leaf.It takes the scrubbing of the old concepts and morals by the Agrarian Revolution as the source of power to realize the turning over of the bottom people;With the unity of complexity and typicality of the characters in the works,it represents the poetic methodology of awakening the consciousness of turning over of the bottom people.From Ah Q to Heini and Hou Zhongquan,The Sun Shines on the Sanggan River reveals the inevitability and actuality of the awakening of the consciousness of the bottom people,and answers the question of the end of the fear of the bottom people,which constitutes a kind of poetic interaction with The True Story of Ah Q with inherent aesthetic tension.

关 键 词：《阿Q正传》 《太阳照在桑干河上》 “翻身”意识 诗学互动 

分 类 号：I207.42[文学—中国文学]