1960年代短篇小说的“历史化”路径及其反思——以郭澄清《黑掌柜》为例  

The“Historicization”Path of Short Stories from the 1960s and Its Reflections——Taking GUO Cheng-qing’s The Dishonest Shopkeeper as an Example

作　　者：李宗刚[1] 张继超 LI Zong-gang;ZHANG Ji-chao

机构地区：[1]山东师范大学文学院,济南250014

出　　处：《求是学刊》2025年第1期176-185,共10页Seeking Truth

基　　金：国家社科基金一般项目“共和国教育与中国当代文学”(17BZW021)。

摘　　要：就接受历程和现实境遇观之,郭澄清的小说《黑掌柜》在一众1960年代的“亚经典”文本中颇具典型性。借由研究者的诠释和权威文学选本的辑录,《黑掌柜》得以在“历史化”的道路上不断推进。创作主体的身份、小说生产的程式、叙事方式的翻新、文本内蕴的精神都参与到这一进程中,于不同阶段成为《黑掌柜》“历史化”的核心动力。同时,小说鲜明的时代标示性则构成其“历史化”的重要依据。至于当下,《黑掌柜》的影响力日渐消退,其“历史化”未能有效升格为“经典化”。寻绎《黑掌柜》的“历史化”路径,探索其困境的成因及重获生气的可能,既有助于检视当代文学史的复杂状貌,亦对目前的文学建设具有启迪意义。From the perspective of acceptance process and contemporary context,GUO Cheng-qing’s novel The Dishonest Shopkeeper is quite typical among the“sub-classics”in the 1960s.Through the interpretation of researchers and the compilation of authoritative literary anthologies,The Dishonest Shopkeeper has continu-ously advanced on the path of“historicization”.The identity of the author,the process of novel production,the innovation of narrative methods,and the spirit contained within the text all participate in this process,become the core dynamics of the“historicization”of The Dishonest Shopkeeper at different stages.At the same time,the novel’s distinct iconic of era constitutes an important basis for its“historicization”.At present,the influ-ence of The Dishonest Shopkeeper is gradually fading,and its“historicization”has not effectively elevated to“classics”.The search for the path of“historicization”of The Dishonest Shopkeeper and the exploration of the causes of its dilemmas and the possibilities of regaining vitality,not only helps to examine the complex land-scape of contemporary literary history but also holds enlightening significance for current literary construction.

关 键 词：郭澄清 《黑掌柜》 1960年代 短篇小说 “历史化” 

分 类 号：I207.427[文学—中国文学]