创意写作学研究的国际文献观察与综述  

Observation and Review of International Literature on Creative Writing Studies

作　　者：葛红兵[1] 张永禄[1] 刘卫东 GE Hongbing;ZHANG Yonglu;LIU Weidong(School of Literature,Shanghai University,Shanghai 210444,China;School of Humanities,Wenzhou University,Wenzhou 325035,Zhejiang,China)

机构地区：[1]上海大学文学院,上海210444 [2]温州大学人文学院,浙江温州325035

出　　处：《惠州学院学报》2025年第1期1-10,共10页Journal of Huizhou University

基　　金：国家社会科学基金重大项目(23&ZD294)。

摘　　要：国际创意写作学百年欧美发展史,形成了实践论、功能论、范式论等几大方向的系统性成果,中文创意写作学近二十年来经过了引进创生、中国化转型、自主特色建构等阶段,也形成了独特的国别经验。创意写作学的世界发展令创意写作研究近年来渐成显学,对中文创意写作研究具有非常重要的互鉴意义。以实践论、功能论、范式论三论方向开启国际创意写作文献研究,以现代文学创作经验、中国现代文论及写作学资源、中国当代创意写作学国别建构经验为方向开启中文创意写作学国内文献建设,通过比较研究,助力中文创意写作学自主话语建构,由此进入并参与世界创意写作学经验对话框架建构,是当代中文创意写作学重要学术任务。Over the past century,creative writing studies in Europe and America have systematically developed across key areas such as praxis,functionalism,and paradigm theory.In the same period,Chinese creative writing research progressed through stages of introduction,sinicization,and the cultivation of distinct national characteristics,accumulating rich and valuable experiences.The global prominence of creative writing discourse underscores the necessity of comparative research,which is pivotal for advancing Chinese creative writing studies.To this end,conducting international literature reviews in these foundational areas,while simultaneously building a domestic framework focused on modern literary creation,Chinese literary theory,and national development experiences,represents a critical academic pursuit.Such efforts aim to establish a uniquely Chinese discourse within global creative writing studies,enriching the international dialogue on creative writing practices and methodologies.

关 键 词：中文创意写作学 创意写作研究 国别经验 比较研究 文献整理 

分 类 号：I04[文学—文学理论]