《水浒传》“在家/离家”叙事结构与民俗心理  

Home/Away Narrative Structure and Folk Mentality in All Men are Brothers

作　　者：黄丹莉 黎亮[2] HUANG Dan-li;LI Liang(Yichun Early Childhood Teachers College,Yichun 336000,China;College of International Education and Social Development,Zhejiang Normal University,Jinhua 321000,China)

机构地区：[1]宜春幼儿师范高等专科学校,江西宜春336000 [2]浙江师范大学国际文化与社会发展学院,浙江金华321000

出　　处：《宜春学院学报》2025年第1期75-79,共5页Journal of Yichun University

摘　　要：七十回《水浒传》金圣叹点评本的叙事结构暗含“在家/离家”模式和“自我/本我”心理结构,其对中国文化之自我所复现的向度与价值构造了中国文化人格的一个重要的层面,最能代表水浒文化笼罩下的群体民俗心理。本文以叙事结构为切口探究发现《水浒传》结构之法,进而引入更深层次的对民俗文化心理的探讨,指向《水浒传》对中国文化之自我所复现的向度与价值。The narrative structure of All Men are Brothers commented by Jin Shengtan implies“home/away”mode and“ego/id”psychological layer.According to this version which can best represent culture mentality in Shuihu culture the field and value of ego can be found to build some Chinese culture character.This paper takes the narrative structure as the entry point to explore and discover the structural approach of“All Men are Brothers”,and then further delves into the discussion of the psychological aspects of folk culture at a deeper level,pointing to the direction and value of“All Men are Brothers”in representing and reproducing the self of Chinese culture.

关 键 词：《水浒传》 在家/离家 叙事结构 民俗心理 

分 类 号：I24[文学—中国文学]