影像政治·革命美学·话语实践——延安电影团历史探赜与当代省思  

Image Politics,Revolutionary Aesthetics and Discourse Practice:Historical Exploration and Contemporary Reflection of Yan’an Film Group

作　　者：淮亚莉[1] 邓启明 HUAI Ya-li;DENG Qi-ming(School of Literature,Journalism and Communication,Yan’an University,Yan’an 716000,Shaanxi)

机构地区：[1]延安大学文学与新闻传播学院,陕西延安716000

出　　处：《延安大学学报(社会科学版)》2025年第1期95-101,共7页Journal of Yan'an University (Social Sciences Edition)

基　　金：延安市社会科学专项资金规划项目“延安时期文艺工作对外传播研究——以延安电影团为例”(24BDD06)。

摘　　要：延安电影团既是特殊历史语境下影像政治实践、革命美学探索和红色意识形态下电影话语体系建设的拓荒者和艺术先驱,也是新时代人民电影事业追根溯源的参考系。延安时期人民电影事业影像政治的实践路径表明,延安电影团秉承崇高的人民美学追求,以蕴含真实美学特质的电影创作和放映活动,完成了政治变迁进程与人民大众革命记忆的内在统一,引导着解放区电影艺术的政治化转向。重新审视延安电影团以影像媒介来传播中国共产党的政治理念和主流话语的历史进路,对于当代电影发展在坚持党的领导、坚守人民立场、强化主流话语、创新故事表达、传承红色电影精神等方面具有重要的实践价值。Yan’an Film Troupe is not only a pioneer and artistic pioneer in the practice of video politics,the exploration of revolutionary aesthetics and the construction of film discourse system under the red ideology in the special historical context,but also a reference system for the people’s film industry in the new era to trace its roots and struggle hard.The practice path of the people’s film industry’s video politics in Yan’an period shows that Yan’an Film Troupe adheres to the lofty pursuit of people’s aesthetics,completes the internal unity of the political change process and the people’s revolutionary memory with the film creation and screening activities containing real aesthetic characteristics,and guides the political turn of the film art in the liberated areas.Re-examining the historical approach of Yan’an Film Troupe to spread the Communist Party of China’s political ideas and mainstream discourse through video media is of great practical value for the development of contemporary films in adhering to the leadership of the Party,adhering to the people’s position,strengthening mainstream discourse,innovating story expression and inheriting the spirit of red films.

关 键 词：延安电影团 影像政治 革命美学 主流话语 意识形态 

分 类 号：J90[艺术—电影电视艺术]