明代文人插花艺术“器用随宜”设计思想研究  

Research on the Design Concept of"Using Instruments as Suitable as Possible"in the Flower Arrangement Art of Ming Dynasty Literati

作　　者：张英琦 Zhang Yingqi(School of Design and Art,Bejing Institute of Technology,Beijing 100081,China)

机构地区：[1]北京理工大学设计与艺术学院,北京100081

出　　处：《艺术与设计(理论版)》2025年第2期125-127,共3页Art and Design

摘　　要：明代是中国古代插花艺术的复兴期,是花学理论的成熟期。文章以明代插花器的使用为视点,依托历史图文资料,分别从器用宜花、宜人、宜时三个层面对明代插花器的随宜观念进行系统阐述,并对随宜观念的历史来源进行追溯,以期完善明代插花用器在选器准则、造物思想与文化来源方面的研究。The Ming Dynasty was a revival period of ancient Chinese flower arrangement art and a mature period of floral theory.The article takes the use of Ming Dynasty flower arrangements as the perspective and relies on historical graphic and textual materials to systematically expound on the concept of adapting to the needs of the Ming Dynasty flower arrangements from three levels:suitable for flowers,pleasant,and timely.It also traces the historical origins of the concept of adapting to the needs of the Ming Dynasty flower arrangements,in order to improve the research on the selection criteria,creative ideas,and cultural sources of Ming Dynasty flower arrangements.

关 键 词：明代 插花器 宜 设计思想 

分 类 号：J0[艺术—艺术理论]