20世纪90年代以来中国女作家的日本书写与文化间性  

On the Japanese Writing of Chinese Female Writers sincethe 1990s

作　　者：陈潇 Chen Xiao

机构地区：[1]浙江师范大学人文学院

出　　处：《南开日本研究》2023年第1期141-161,232,共22页Nankai Japan Studies

摘　　要：20世纪90年代以来,一些中国女作家,通过在中国拥有的生存经验和文化意识来观察、比较和评价日本的风土人情、制度政策和思想文化。如叶广芩、孟庆华、王安忆、孔明珠、林祁、铁凝、迟子建、潘向黎、唐辛子、苏枕书、房雪霏等女作家的作品中就有大量涉及日本书写的内容。在这些建构日本形象的作品中,既有对日本人物的刻画和对日本风物的描绘,又有对日本民俗的记述及对日本艺术、日常生活的书写,还体现出作家在日生活独特的“他者”经验。文化的间性特质则为作家在对故国与异国文化进行解构和重建的过程中,以冲突和包容、对视和融合的方式实现中日文化的双重审视而又保持自身文化的独立性提供了可能。Since the 1990s,in the group of female writers in China,some people have observed,compared and evaluated the customs and systems,policy and ideological culture of Japan through their survival experience and cultural awareness in China.For example,the works of female writers such as Ye Guangqin,Meng Qinghua,Wang Anyi,Kong mingzhu,Lin Qi,Tie Ning,Chi Zijian,Pan Xiangli,Tang Xinzi,Su Zhenshu,Fang Xuefei and other female writers have a lot of content involving Japanese writing.Among these works that re-flect the image of Japan,there are not only the portrayal of Japanese characters and the depic-tion of Dongying scenery,but also the description of Yamato folk customs and the writing of Fuso art and daily life.Besides,it reflects the author's unique“otherness”experience of liv-ing in Japan.The interculturality provided the possibility for the writers to investigate Chinese and Japanese culture in the way of conflict and mutual respect while maintaining the inde-pendence of their own culture.

关 键 词：中国女作家 日本书写 文化间性 

分 类 号：I206.7[文学—中国文学]