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作　　者：韩雨晨[1] 

机构地区：[1]东南大学建筑学院

出　　处：《建筑技艺(中英文)》2024年第9期4-4,共1页Architecture Technique

摘　　要：结构既是建筑的支撑骨骼,也是塑造空间的形态要素,是技术与艺术的双重载体。无论出于建筑形态的呈现效果,还是物质资源的集约利用,抑或设计实践的工作效率,建筑与结构都应实现有机协同。近现代日益复杂的建造活动使得学科分野成为必然,自古同源合一的建筑学与结构工程学在目标、思维和语境上逐渐呈现出鲜明的差异性,两学科的关系日渐疏离。众多非理性建筑的涌现,正是建筑师匮乏的结构知识、淡薄的理性观念、消极的合作意识之体现。如何理性而诗意地整合建筑与结构,是事关建筑本体的重要议题,也是工程与教学实践中亟需推进的研究方向。Structure is not only the supporting skeleton of the building,but also the morphological element that shapes the space and the carrier of both technology and art.Whether it is for the presentation of architectural form,the intensive use of material resources,or the efficiency of design practice,architecture and structure should be integrated and synergized.The increasing complexity of construction activities in modern times has made the division of disciplines inevitable.Originally,architecture and structural engineering,which are of the same source and unity,have gradually shown clear differences in objectives,thinking and contexts,and the relationship between the two disciplines has become more and more estranged.The emergence of many irrational buildings is a reflection of architects'lack of structural knowledge,weak rationality and negative sense of cooperation.How to integrate architecture and structure in a rational and poetic way is an important issue concerning architecture itself,and also a research direction that still needs to be promoted in design and teaching practice.

关 键 词：建筑与结构 结构工程学 建筑形态 建筑本体 建筑学 理性观念 形态要素 技术与艺术 

分 类 号：TU31[建筑科学—结构工程]