论元宇宙时代文论话语转型  

The Transformation of Literary Discourse in the Age of Metaverse

作　　者：胡友峰[1] Hu Youfeng

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《艺术管理(中英文)》2024年第3期5-17,共13页Journal of Arts Management

摘　　要：“元宇宙”概念的横空出世,引发各界的激烈探讨。在学者们的构想中,元宇宙是通过整合多种新技术而产生的下一代互联网应用和社会形态,具有时空拓展性、人机交互性、经济增值性三大核心属性。在元宇宙语境中,艾布拉姆斯所提出的文学四要素将发生一系列新变,具体表现为:世界演变为虚拟与现实共生,人类的生存空间、感官体验与虚拟身份也得到拓展;文学生产转向“跨媒介性”生产,衍生出人机交互创作、与虚拟空间的交互创作两种新的文学创作方式;文学作品将以“文字”为中心转向以“场景”为中心;读者的消费行为将由“阅读”作品转向“进入”作品,读者主体性与自由度会进一步提升。同时,元宇宙文学美好愿景的背后存在着不容忽略的隐忧,想要在元宇宙中焕发文学新活力,就必须坚守住文学的本体性,解构技术对文学形式的主导。The emergence of the concept of Metaverse has triggered intense discussion from all walks of life.In the conception of scholars,the metaverse is the next generation Internet application and social form generated by the integration of a variety of new technologies,which has three core attributes:spatio-temporal expansion,human-computer interaction,and economic value-added.In the Metaverse context,the four elements of literature proposed by Abrams will undergo a series of new changes,which are embodied in the evolution of the world into the symbiosis between the virtual and the real,expanding the living space,sensory experience and virtual identity of human beings.Literary production turns to"cross-media"production,resulting in two new literary creation modes:human-machine interactive creation and interactive creation with virtual space.Literary works will turn from"text"to"scene";Readers'consumption behavior will shift from"reading"works to"entering"works,and readers'subjectivity and freedom will be further enhanced.At the same time,there are hidden worries behind the beautiful vision of metaverse literature that cannot be ignored.If we want to glow new vitality of literature in the metaverse,we must adhere to the ontology of literature and deconstruct the dominance of technology on literary forms.

关 键 词：元宇宙 文学生态 交互性 沉浸式 虚拟现实 

分 类 号：I206.7[文学—中国文学]