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作 者:田金芝 TIAN Jinzhi(Faculty of Liberal Arts,Northwest University,Xi’an,Shaanxi 710127,China)
出 处:《平顶山学院学报》2025年第1期52-59,共8页Journal of Pingdingshan University
摘 要:中国自古重视文学艺术与社会生活的关系,看重艺术作品的现实功用。但作为中国现代文论核心概念之一的“现实主义”却是“西洋学由东洋来的产物”。通过对近代以前文论中的现实主义因子、“现实主义”在中国的诞生及其含义稳定之前即1927年以前应用情况的书证梳理,考察其引进、发展、流变的过程,以期对中国现代文论中诸多“外来”的、看似不言自明实则纷繁复杂的概念研究提供一种探究路径。Since ancient times,China has attached importance to the relationship between literature and art and social life,and to the practical function of works of art.However,as one of the core concepts of China’s modern literary theory,“realism”is“the product of western learning from the East(Japan)”.By combing the documentary evidence of the realism factors in the pre-modern literary theory and the application of“realism”in China before 1927,the paper investigates the general process of its introduction,development and evolution,with a view to providing an inquiry path for the study of many“foreign”concepts in China’s modern literary theory that seem to be self-evident but complicated.
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