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作 者:陈昱廷 Chen Yuting(Jiujiang Museum)
机构地区:[1]九江市博物馆
出 处:《景德镇陶瓷》2024年第6期105-107,共3页Jingdezhen Ceramics
摘 要:九江市博物馆收藏的清光绪粉彩云龙蝴蝶纹葵口盘,云龙和蝴蝶的图案设计,既体现了皇家的高贵与权威,又不失民间的活泼与灵动,展现了一种独特的艺术魅力。而在这件瓷盘背后,隐藏着更深层的历史背景和社会变迁。“官搭民烧”制度在这一时期起到了关键作用。一方面,它为景德镇的陶瓷业带来了新的发展机遇,推动了技术的交流和融合,使得官窑和民窑的技艺得以相互借鉴和提升。另一方面,这种制度也带来了不少问题,如民窑的经济压力、技术创新的限制等,都在一定程度上制约了景德镇陶瓷业的发展。然而,尽管面临着种种困难和挑战,景德镇的陶瓷工匠们仍然凭借他们的智慧和技艺,创作出了一件又一件精美绝伦的瓷器。Jiujiang Museum collection of the Qing Dynasty Guangxu period's Fencai cloud-dragon and butterfly pattern h exagonal plate,cloud-ragon and butterfl y pattern design,not only refl ects the royal nobility and authority,but also does not lose the liveliness and agility of the folk,showing a unique artistic charm.Behind this porcelain plate,there is a deeper historical background and social changes.Government-commissioned and civil-burned system played a key role in this period.On the one hand,it has brought new development opportunities for Jingdezhen's ceramic industry,promoted the exchange and integration of technology,and enabled the skills of offi cial kilns and private kilns to learn from and improve each other.On the other hand,this system has also brought many problems,such as the economic pressure of the kiln,the restriction of technological innovation,etc.,which have restricted the development of Jingdezhen ceramic industry to a certain extent.However,despite all the diffi culties and challenges,Jingdezhen's ceramic craftsmen still re lied on their wisdom and skills to create exquisite porcelain o ne by one.
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