论莫言新世纪小说杂糅歌谣的审美表征  

The Aesthetic Features of the Hybridity in Mo Yan's Novels in the New Century

作　　者：曹金合 CAO Jinhe(Luoyang Normal University,Luoyang 471934,China)

机构地区：[1]洛阳师范学院文学院,河南洛阳471934

出　　处：《天中学刊》2025年第1期113-120,共8页Journal of Tianzhong

基　　金：河南省高校人文社会科学研究一般项目(2024-ZDJH-753)。

摘　　要：莫言在新世纪的小说创作中加大了儿歌、民谣、顺口溜、流行歌曲等与小说情节结构相互融合的力度,借此表现民间的地域文化、人际关系、生活方式和宗教信仰等方面的审美意蕴。时政类歌谣、生活类歌谣、爱情类歌谣的审美表征,在边缘化的处境中才能更显示出自身的独特风采。当然,莫言杂糅歌谣并不仅仅从审美形式的表征出发,而是力主为表现主题的审美意蕴服务。小说中杂糅的歌谣不论是对事物和现象的正面形容,还是带有讽刺性意味的模拟,都以含蓄隽永的方式引人深思。In Mo Yan's works created in the 21th century,the ballads,children's songs,doggerels,popular songs are used to mingle with the plot to express the aesthetic appreciation of local culture,lifestyle and religious belief.The songs and ballads show their unique aesthetic function in the marginalized situation.His hybridity not only is a representation of aesthetic form,but serving the theme.Whether it is a positive description of things and phenomena or an ironic simulation,it will lead people to think deeply in an implicit and meaningful way.

关 键 词：莫言 新世纪小说 歌谣 杂糅 

分 类 号：I206.2[文学—中国文学]