数字媒介与伊拉克战争叙事新形态  

Digital Media and the New Forms of Iraqi War Narrative

作　　者：任宏智 REN Hong-zhi

机构地区：[1]北京外国语大学阿拉伯学院,北京100089

出　　处：《外语导刊》2025年第1期35-42,158,共9页Foreign Languages Bimonthly

基　　金：国家社会科学基金重大项目“世界战争文学史研究”(22&ZD290);教育部人文社会科学重点研究基地重大项目“东方文学与文明互鉴:以文学的现代化进程研究为视角”(22JJD750003)。

摘　　要：数字传播技术不断推促现当代战争范式的演变,同时也使当代伊拉克战争叙事逐渐摆脱文学生产所独具的特权,转向由数字技术、空间艺术、感官体验协同生产的综合叙事形态。伊拉克艺术家瓦法·比拉勒利用网络技术模仿人机射杀行动,建立了表演性叙事与文学性叙事彼此对“读”的互文形态,并通过铭刻于身体表面的地图纹身探赜战争创伤可见与不可见的悖论关系。媒介技术的多维融合触发了空间维度的逆变,为见证伊拉克战争实相、颠覆战争话语霸权、夺回战争叙事权铺筑了深具时代意义的文化空间。Digital communication technologies contribute to the evolution of contemporary war paradigms,while also shifting contemporary Iraqi war narratives away from the traditional prerogatives of literary production.These narratives now move toward an integrated form of storytelling,created through the synergy of digital technology,spatial art,and sensory experience.Iraqi artist Wafaa Bilal uses cyber technology to simulate drone strikes,establishing an intertextual relationship between performative and literary narratives that both respond to the act of“reading”.Through the use of map tattoos etched on the surface of the body,Bilal explores the paradoxical relationship between visible and invisible war trauma.The multidimensional integration of media technologies triggers a reversal of spatial dimensions,creating a culturally significant space that challenges the dominant war discourse and reclaims narrative authority,paving the way for a more authentic understanding of the Iraq War.

关 键 词：伊拉克战争 瓦法·比拉勒 跨媒介 表演性 身体书写 数字技术 战争文学 

分 类 号：H0-05[语言文字—语言学]