真理美学与图像阐释学  

Truth Aesthetics and Image Hermeneutics

作　　者：孙周兴 SUN Zhouxing

机构地区：[1]浙江大学哲学学院

出　　处：《哲学分析》2025年第1期3-13,196,共12页Philosophical Analysis

摘　　要：海德格尔、阿多诺、伽达默尔三大哲人及其思想构成了真理美学的三个类型,即存在论的、模仿论的和游戏论的,各自具有区别性特征与方法论动机。20世纪真理美学所确立的“艺术真理”观打破传统知识论的真理概念,开启了一种新的艺术理解和探讨的可能性;特别是在艺术史研究领域出现了一种现象学—阐释学的思想努力,典型如马克斯·伊姆达尔的“图像阐释学”(Ikonik),后者试图超越传统两大艺术史研究方法即“形式分析和形式史的方法”与“图像志—图像学的方法”,从而有可能在方法论上构成艺术哲学和艺术批评的“第三条道路”。The three philosophers Heidegger,Adorno,and Gadamer constitute three types of aesthetics of truth,namely ontological,mimetic,and game theory,each with its own distinguishing features and methodological motives.The concept of“artistic truth”established in the 20th century’s aesthetics of truth breaks with the traditional concept of truth in epistemology,and opens up new possibilities for understanding and exploring art.Especially in the field of art history research,a phenomenological-hermeneutic thought attempt emerged,typical of Max Imdahl’s“hermeneutics of picture”(Ikonik),which attempted to transcend the traditional two major approaches to art history research,namely the“formal analysis and history of form”and the“iconographic-imaginative approach”,and thus has the potential to constitute a methodological“third way”in the philosophy and criticism of art.

关 键 词：真理美学 图像学 图像阐释学 艺术真理 

分 类 号：B83[哲学宗教—美学]