当代民族歌剧声乐“美声化”趋势的分析  

On the Trend of“Bel canto”in Contemporary ethnic Opera Vocal Music

作　　者：李超 LI-Chao(Shenyang Conservatory of Music,Shenyang 110818,China)

机构地区：[1]沈阳音乐学院民族声乐系,辽宁沈阳110818

出　　处：《汉江师范学院学报》2024年第6期44-48,共5页Journal of Hanjiang Normal University

摘　　要：随着文化全球化、艺术创新、市场需求及高等教育改革,推动了民族歌剧声乐“美声化”趋势的形成.从演唱技巧的融合与创新、作品创作与改编的“美声化”特征等方面阐述了这一趋势的具体表现.民族歌剧声乐“美声化”趋势对民族声乐艺术发展起到了积极的推动作用,拓宽了民族声乐的表现力与感染力,促进了民族歌剧的国际交流与传播.从技术革新、观众审美变化以及国际化与本土化相结合等方面对未来民族歌剧声乐的发展进行探索,以期为民族歌剧声乐“美声化”朝着更加多元、创新的方向发展提供参考.With the globalisation of culture,artistic innovation,market demand,and higher education reform,the formation of the trend of"Bel canto"in ethnic opera vocal music has been promoted.The specific manifestations of this trend are elaborated from the aspects of the integration and innovation of singing techniques,"Bel canto"characteristics of work creation and adaptation.Exploring the future development of ethnic opera vocal music from the perspectives of technological innovation,audience aesthetic changes,and the combination of internationalization and localization,to provide reference for the development of ethnic opera vocal music towards a more diverse and innovative direction of"aestheticization".

关 键 词：民族歌剧 声乐 美声 西方歌剧 音乐艺术 

分 类 号：J616[艺术—音乐]