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作 者:林叶 Lin Ye
机构地区:[1]不详
出 处:《艺术当代》2024年第4期20-25,共6页Art China
摘 要:摄影影像是否能够呈现真相?自摄影术诞生以来,对于这个问题的讨论似乎从来没有停止过。可以说影像本身并没有承载什么恒定的、凝固了的真相。对于影像所象征的“真相”,则需要依靠必要的来自外部的说明与诠释。谁掌握了影像的说明权与诠释权,谁就控制了“真相”。摄影家的作品在一定程度上让权力与资本主导的僵化的生活方式出现了裂痕,瓦解了单方面灌输在人们意识之中的价值标准和生活观念,瓦解了权力与资本对“真相”的垄断,不断刺激观看者对“真相”的认知与判断,促使人们在主流意识形态之外去寻求触及真相的可能性。Can photographic images reveal the truth?Since the inception of photography,discussions on this issue seem to have never ceased.It can be said that images themselves do not bear any constant,solidified truth.The"truth"symbolized by the images relies on necessary external explanations and interpretations.Whoever holds the rights to explain and interpret the images controls the"truth."To a certain extent,the works of photographers have created fissures in the rigid lifestyle dominated by power and capital,breaking down the one-sided value standards and concepts of life instilled in people's consciousness,undermining the monopoly of power and capital on"truth,"and continuously stimulating viewers'cognition and judgment of"truth,"prompting people to seek the possibility of touching the truth beyond mainstream ideology.
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