赓续传统文脉 固就文学根本——20世纪50-70年代香港地区电影的文学性呈现  

Continuing the Traditional Contextand Fundamentally Rooted in Literature——Literary Presentation of Hong Kong region Films in the 1950s and 1970s

作　　者：赵卫防[1] Zhao Weifang

机构地区：[1]中国艺术研究院电影电视研究所

出　　处：《戏剧与影视评论》2024年第5期48-54,共7页Review of Theatre and Film

摘　　要：20世纪50-70年代的香港地区电影,体现出了较强的文学性,这一时期的故事片中出现了大量根据文学名著或其他文学著作改编的作品。这些故事片一是根据中国传统戏曲改编,二是根据中外文学名著、名剧改编,三是根据中国武侠小说改编。这些电影文本既保留了原著的文学性,又融入了香港地区特色的本土化改编,其对当下华语电影的叙事艺术提升有着重要启示。Hong Kong region films from the 1950s to the 1970s exhibited strong literary qualities,with a large number of feature films adapted from literary classics or other literary works during this period.These feature films are adapted from traditional Chinese opera,Chinese and foreign literary classics and famous dramas,and Chinese martial arts novels.These film texts not only retain the literary quality of the original works,but also incorporate localized adaptations with Hong Kong region characteristics,which have important implications for enhancing the narrative art of current Chinese language films.

关 键 词：香港地区电影 文学性 中国传统戏曲 中外文学名著 中国武侠小说 

分 类 号：I20[文学—中国文学]