秩序规训与欲望惩戒:新时代香港地区警匪类型电影的主旋律修辞研究  

Order Discipline and Desire Punish:A Rhetorical Study on the Main Melody of Hong Kong region gangster film in the New Era

作　　者：袁铭泽 Yuan Mingze

机构地区：[1]厦门大学电影学院

出　　处：《戏剧与影视评论》2024年第5期65-79,共15页Review of Theatre and Film

摘　　要：作为合拍序列扛鼎之作的警匪类型电影,力图寻求弥合主体异质性的文化间性存在,在新时代的社会语境与政治生态下,不断尝试类型电影主旋律化与主旋律电影类型化的双向破圈。价值层面,回溯到吸引力蒙太奇的形式根源,使视觉奇观的吸引力服务于寄托遥深的引导力,法理秩序取缔江湖义气,共同体传说改写个人神话;类型层面,顺势把握政治思潮,引入政治类型电影,大作反腐倡廉和权力博奔的意识形态介入文章,思辨性多角度展开自反性语境构建;景观层面,不忘香港地区本土文化初心、牢记中国主权认同使命,巧妙利用“第三世界”地域空间,明晰政治主体身份定位的前提下架构全球语境、亚洲内部的地缘政治局势描摹。整体呈现出主导文化与大众文化共同作用下,影像层面情节叙事、动作展示、类型融合以及文化层面价值判断、身份定位、主权认知——形式与内容多重意义的秩序规训与欲望惩戒。As a masterpiece of coproduction sequences,the police genre film seeks to bridge the heterogeneity of the subject's intercultural existence,and in the social context and political ecology of the new era,it constantly tries to break the circle of melodramatization of genre films and the typecasting of melodramatic films in both directions.At the value level,the"attraction montage"has its roots in the form of"attraction montage",so that the"attraction"of the visual spectacle serves the"guiding power"of the remote and deep,and the juridical order outlaws the righteousness of the jianghu.At the genre level,the film grasps the political trend,introduces political genre films,makes a great deal of ideological intervention in anti-corruption and power games,and constructs self-reflexive contexts from multiple perspectives;at the landscape level,the film does not forget the original heart of Hong Kong's local culture,and remembers the mission of China's sovereignty and identity,and skillfully utilizes the"third world"as a means for the film's"attraction"to serve the"guiding force".On the landscape level,not forgetting the original heart of Hong Kong's local culture and keeping in mind the mission of China's sovereignty,the artist skill-fully utilizes the"Third World"geographical space to depict the geopolitical situation within Asia in a global context under the premise of clear positioning of the political subject's identity.Under the joint action of the dominant culture and popular culture,the film shows the plot narrative,action display and genre integration at the video level,as well as the value judgment,identity positioning and sovereignty recognition at the cultural level-the multiple meanings of form and content in terms of order regulation and desire discipline.

关 键 词：香港地区电影 警匪电影 主旋律电影 类型研究 合拍电影 

分 类 号：G63[文化科学—教育学]