文化图绘:地方写作的记忆重构术  

Cultural Mapping:The Technique of Memory Reconstruction in Local Writing

作　　者：王欣睿[1] Wang Xinrui

机构地区：[1]吉林大学文学院,长春130012

出　　处：《探索与争鸣》2024年第12期200-207,228,共9页Exploration and Free Views

基　　金：国家社会科学基金项目“‘闯关东文学’与东北文化精神构成研究”(21BZW161)。

摘　　要：近年来,学界围绕地方性写作展开广泛探讨,从创作样态到理论命名,试图建构一种解释地方经验、地方意识和地方审美的系统性话语。然而,对地方性写作的理解需要超越当下视野,回到历史深处探寻其文化根源。“闯关东文学”作为地方性写作的典范,蕴含着独特的历史叙事机制、审美建构模式和文化记忆功能:通过对移民史的选择性提炼和创造性转化,实现从个体经验到集体记忆的升华;以“反常态-象征化”“在场性-超越性”“边缘化-主体化”为审美模式,形成独特的地方审美形态;在文化记忆层面,以互动性重构为基础,不仅实现传统文化的创造性转化,更凝练出以开拓进取、包容共生为核心的“闯关东精神”。这表明,地方性写作的意义在于通过对话与融合开启文化创新的可能,其普遍价值正是建立在对地方特殊性的深度挖掘之上。In recent years,academics have engaged in extensive discussions on local writing,exploring its creative patterns and theoretical nomenclature in an attempt to construct a systematic discourse that elucidates local experience,consciousness,and aesthetics.However,to fully comprehend local writing,it is necessary to transcend the present perspective and delve into the depths of history to uncover its cultural origins.The“Literature of Migration to the Northeast”,as an exemplar of local writing,embodies a unique historical narrative mechanism,aesthetic construction mode,and cultural memory function.By selectively refining and creatively transforming the history of migration,it achieves the sublimation of individual experience into collective memory.Through aesthetic models such as“abnormality-symbolization”“presence-transcendence”and“marginalization-subjectivity”,it forms a distinctive local aesthetic form.At the cultural memory level,it realizes the creative transformation of traditional culture on the basis of interactive reconstruction.This demonstrates that the significance of local writing lies in its potential to spark cultural innovation through dialogue and integration,and its universal value is grounded in the deep excavation of local specificity.

关 键 词：地方性写作 闯关东文学 文学重构 集体记忆 文化认同 

分 类 号：G63[文化科学—教育学]